“Effetto panico”. This is the PANIC ROOM.

“..è solo questione di punti di vista..” Tilt





All’Au Vieux Panier di Marsiglia in Francia, ogni anno, cinque stanze dell’albergo vengono ripensate da un artista diverso, in una sorta di ristrutturazione artistica e concettuale, che trasforma l’hotel in una galleria d’arte contemporanea.

Delle 5 stanze “brendizzate”, quella dell’artista Tilt è sicuramente la più eccentrica e non a caso battezzata con il nome di “Panic Room”. Uno spazio perfettamente diviso a metà: una bianca, intonsa e l’altra, ricoperta in ogni centimetro quadrato dalle scritte “a bolla” e i graffiti color pastello a firma del writer di Tolosa. Tutto è coinvolto in questo “effetto panico”, come una doppia personalità: letto, mobili e suppellettili.

Febbraio 2012.

L’hotel Au Vieux Panier mi ha chiesto di progettare una stanza, ho detto loro che non ero interessato a fare solo una semplice decorazione all’interno di questo spazio, ma volevo creare qualcosa che avrebbe avuto un aspetto più simile ad una installazione. Ho immaginato una grande tela in cui avrei giocato in contrasto con la parte bianca della stanza per accentuare di più l’idea del caos. Ho chiesto al mio amico Tober, uno della vecchia scuola dei tag, a Grizz per fare le riprese e a Don Cho, un cantante hip hop di Marsiglia, ma che era un tagger della mia città natale Tolosa. Ho impiegato una settimana per realizzare il tutto e al fine di accentuare quello che solitamente si vede in luoghi abbandonati. Molti i tag, molti i drips, molte frasi e molti throw-up.. quello che ho anche voluto dimostrare è che la gente può apprezzare qualsiasi tipo di graffiti, anche il più fondamentale e basico.. è solo una questione di punti di vista..

Tilt ama dimostrare come i graffiti più semplici, “primitivi” siano esattamente complicati quanto le atre tecniche. La sua attenzione per il divertimento, le forme ad alto impatto e i colori forti è un riflesso della sua storia di “graffittaro” vero, addestrato per le strade, nei cortili e sui treni. Allo stesso modo, il suo ampio uso di forme curvilinee, tondeggianti, riguarda la sua ossessione per le forme e la bellezza femminile.

Il suo nome “Tilt” diventa punto centrale dei lavori utilizzando la tecnica del “throw-up”, “vomitare”, tecnica basata in genere su forme tondeggianti, sull’utilizzo di pochi colori e sulla velocità di esecuzione e spesso criticata dagli stessi writers, in quanto viene trascurata l’estetica nel risultato finale.

..è solo questione di punti di vista..”



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